Liar (Episode 5 Review)

While last week’s effort was in no way mediocre there was a worry that exposing the liar at the halfway stage left the story with very little life left. With hindsight, the trip to Scotland was used as a measure of Laura’s last attempts to get justice through honest means. So far things have had at least two feet set in reality, concentrating on emotions and personal politics first and foremost. Episode five ups the heightened drama element it has mostly avoided. This is not meant as an insult or an implication that what happens in the closing stages couldn’t occur in real life, it’s just the foot has well and truly been put on the pedal.

Everything about the penultimate showing is exaggerated from what has gone before. When the music isn’t even more tense, it’s soaringly beautiful. As for the direction, the claustrophobic intensity grows. The camera lurks in even more distant places. Spying on proceedings from around further flung corners, windows and tables. It’s like they want you to feel like you’re spying in on conversations you shouldn’t be. A voyeur on other people’s misery. It works in a forty five minutes that surprises.

Who knew that an umbrella could cause so much distress? Due to Katy leaving one in Tom’s car and their stories not matching, Laura is told about the affair. It’s something that was expected to be said next week but like Scotland trip, the betrayal of a sister and an ex-boyfriend is used as an explanation for the actions Laura undertakes. The GHB  in Tom’s hand last week proves to be a red herring. rather than going ahead with the plan to plant the drug in Andrew’s locker, Laura resorts to the bottle. Earlham continues his charm offensive, with emphasis on the word offensive. Like everything else, his darkness takes a new level as we discover he has films of all his crimes. What’s the betting some viewers will still inexplicably think he’s innocent?

DI Harmon discovers there are abrasions at a baby scan (‘Abrasions At A Baby Scan’ sound like a long lost Smiths song title but let’s not get distracted) and asks to be tested for any GHB in her system. Despite it not showing up Vanessa knows exactly what has happened to her and who the man responsible is. It’s a chain of events that results in permission to track Andrew’s car being granted. Let’s overlook the logistics and go with the flow because it’s worth it.

This is where a psychological drama turns to an almost Michael Jackson level of thriller. OK, so there are no dancing zombies but Laura has a nefarious master plan. She tricks Andrew into a drink and while he’s unguarded slips GHB into the man’s bloodstream, bundles him into his car and takes him down to the baron marshes. The justification being that she will lie to make sure her attacker is sent down. She will claim he kidnapped her. Why? Because telling the truth got her nowhere. It’s a twist curvier than Kim Kardashian’s backside and in a tale that has already preached of the injustices in a system designed to make victims suffer more, makes complete sense. The tone may have changed but the elements of the message remain the same.

The stand off at the marshes (this has turned into a Morrissey lyric generator) between Andrew and his most recent targets should, in theory, be the moment he is arrested. Having stated that he’s been drugged to the DI, he claims that he can’t be arrested with the GHB in his system. While this may be factually correct, how would one person’s word be construed as fact, especially when faced with the law? Surely anyone could claim that. Robbed a bank? “Sorry guys, there’s still a bit of GHB in my system.. laters”. As we know only too well, the law is an ass and so is Andrew, who walks away without denying his crimes and one hundred percent confident he will evade punishment.  His SD cards might prove to be his downfall but with limited time left, Liar has cliffhanger and a two year wait written all over it. 8/10

 

 

 

 

Liar (ITV) – Episode One Review

Typical, you wait for one drama written by Harry and Jack Williams to come along and two show up at once. The brains behind The Missing obviously decided that they do like Mondays and 9pm on a Monday in particular. Penned by their fair hands, Rellik and Liar coincide on BBC1 and ITV respectively.

Liar finds us before, during and after a first date between Laura (Joanne Froggatt), a newly single teacher and handsome single father Andrew (Ioan Grffudd) . We are shown the hope and the despair in parallel as clips from their night together are interspersed with the cold harsh reality of the day after. All the smiles and flirting mixed with a crying Laura removing her clothes and getting swabs in the stark environs of an examination room. It calls into the mind the brave opening to the last series of Broadchurch and if this brutal honesty is the way drama is going then that can only be a positive thing. There’s no fancy tricks at play here, it is subtle storytelling with a heart.

There is also a West Bay vibe in the coastal shots, in the tension boosting rumbling bass of the music and the webs being weaved around the two main protagonists but we can forgive it that and the sometimes overly shaky camera work. Laura accuses Andrew of rape by going to to the police and he vehemently denies the claim but it soon becomes clear this isn’t simply a case of him vs her as the secrets of loved ones complicate matters further. The very morning of the incident Laura’s ex Tom (Warren Brown) moved the last of his things from her house following their split but we later find out he’s having an affair with her older sister Katy (Zoe Tapper). That’s the definition of inconvenient right there. Katy has a family of her own and was full of loving support to her sibling following the events of a date she encouraged by pushing them together. Now Katy is unwittingly right in the eye of Laura’s raging storm and a double dose of guilt may push her to do strange things in search of recompense.

Judging by first impressions, Liar looks set to be a well handled take on personal as well as police perceptions of mental illness. We’ve been teased a small glimpse of Laura’s troubled past involving medication and hallucinations but the full truth is waiting around the corner. Hiding in plain sight. For most of the episode though, the writers want you to sympathise with Andrew. He’s a polite, well-mannered surgeon with the respect of everyone around him. He’s a doting dad who communicates well with his son. With Laura we are asked to question her medical history, her sanity and her intentions especially as her recollections of the night itself are contradictory but the volte-face comes in the closing minutes. There’s the possibility he used drugs knowing full well any traces would be gone from her system in twelve hours and we get the first proper insight into his past – his wife died from suicide in 2006. Naturally triggering the audience to ask if it really was suicide.

Due to the swapping of two wine glasses and the very public accusation on his Facebook profile, things turn an even darker corner. This looks set to be a nasty battle of wills. Liar’s modus operandi is two people manipulating and tearing each other apart rather than a standard police procedural. By taking the law into her own hands has Laura lost any chance of justice? And is the law itself wrong in its handling of sexual assault cases and how much will that be a focus over the series?

The lead actor’s are playing a blinder here. Froggatt aches with vulnerability and you can see the turmoil brooding underneath. Grffudd impresses with a charm that soon cowers into puppy-eyed naivety. They are doing their jobs to perfection by making us evaluate our own prejudice and preconceived opinions of what little facts we have before us. It’s a fascinating opening gambit and already it’s easy to imagine a second series where two different people fight for the truth over a different issue. For now let us hope Liar not only lives up to the promise of episode one but more importantly, continues to handle the sensitive subjects with integrity.  8/10